Susanne Voigt-Zimmermann. I contributed a short text on the control of formants to the volume. You can read the volume online and download it as PDF.
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The second resonance frequency is controlled by the base of the tongue along with the epiglottis. Overtone singing is bodyfeeling gießen on the combination of the second and third resonance frequencies of the vocal tract on a single frequency to increase the volume of a single overtone from the vocal sound.
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Bernhard Richter Prof. This spectacular dynamic MRI video shows how the tongue moves during overtone singing.
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That the right melody came out is spectacular in itself. The third resonance frequency is regulated by the space under the tongue, which is larger than it appears in the video, because it also spre to the side of the tongue frenulum, which covers the space in the image. I had to bodyfeeling gießen by feeling.
Bodyfeeling gießen shows that it is possible to develop a body feeling for the exact pitch of the resonances that also works without acoustic control through the ear. Overtone singing requires constant fine tuning of the two resonance chambers. We also use different external services like Google Webfonts, Google Maps and external Video providers.
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